Cumulative advantage and women playwrights


I feel like I’m up against this as well, as an unknown non-MFA gay/queer white male playwright. Still, I’m just one guy, and this is a whole gender. A must-read about who becomes well-known and why.

writing.performance

At The Summit, a public conversation with prominent DC theatres’ artistic directors convened by Washington Post theatre critic Peter Marks, Ryan Rilette tried to explain why it was more difficult for prominent theatres to stage women playwrights than to stage their male peers. Part of his reply–that there were fewer women “in the pipeline” (meaning a production circuit from major London and New York stages) went viral on social media, inspiring some very funny memes like Daniel Alexander Jones’: Daniel Alexander Jones' meme Daniel Alexander Jones’ meme .

It also inspired Elaine Romero to initiate WE EXIST, an open-source, editable list of female and trans* playwrights to which anyone can add herself or another playwright. (see my previous post.)

But I don’t want to make Rilette the bad guy here; his theater, Roundhouse, is committing to gender parity in future seasons, and is part of a group of 44…

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