Hi-Ho, The Glamorous Life: I Don’t Want to Wait


While I’ll acknowledge I’ve hurried some of my plays to readings too quickly, yeah, the quest for perfection gets old. Williams and Albee produce(d) their plays and then revise(d).

San Francisco Theater Pub

Marissa Skudlarek gives us her longest blog ever, because she’s got a lot to think about. 

As Allison Page noted here last week, self-producing is a hot topic among theater-makers right now. On Facebook, the group “The Official Playwrights of Facebook” frequently plays host to conversations about best practices for self-producing, and last week, HowlRound led a Twitter conversation on the topic.

In these discussions and conversations, there always seems to be someone (or multiple someones) offering advice along the lines of “Before you even think about self-producing a play, make sure you’ve done tons of drafts and multiple readings and workshops.”

Here’s why I think that that may be dangerous advice.

(Caveat emptor: I haven’t self-produced a play before, though I am planning to do so this year. Therefore, I may be writing this column from a place of naïve ignorance. If the play I self-produce this year…

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